Film Lenses Rental/Hire. In Camaleon Rental, we have a wide range of high end lenses for rental/hire: spherical, anamorphic, prime lenses and zooms. Beside the S35mm standard cinema lenses, we also have Full Frame prime lenses and zooms. Furthermore, we offer super16mm lenses, which you can now use in digital cameras thanks to the new Arri Alexa Mini and Arri Amira Premium software updates. Our rental/hire lens sets and zooms cover 2K, 4K, 5K and even 8K resolutions.

If you hire full frame lens sets in Camaleon Rental, you can choose between the latest lens released: Zeiss, Arri, Cooke and Leica.

The Full Frame Arri Signature Prime T1.8 cine lenses is composed of 16 large format primes. From 12mm to 280mm. Arri Signature Primes lenses have LPL mount.

The Arri Signature Primes cine exemplify the most advanced lens precision. They have been designed to create organic and attractive images, gently softening and texturing the large format with natural skin tones and creamy bokeh.

A fast T1.8 stop facilitates depth of field, and the lens' soft focus ring movement gives subjects greater presence in the frame.

ZEISS Supreme Prime cine lenses are designed to cover large format sensors, making them the ideal choice for both S35 and Full frame camera systems. In environments with very low light, its T1.5 aperture demonstrates its excellent construction.

ZEISS Supreme Prime T1.5 cine have a front 95mm diameter in almost the entire lens set. The standardized focus position and iris rings across the entire lens range facilitate quick and easy focal change.

The compact and lightweight design of the Zeiss Supreme Prime T1.5 cine lenses allows easy and convenient camera handling.

The Cooke Plus cine S7/i T2 lenses are designed to cover all emerging full frame camera sensors up, they also cover the entire area of Red Monstro 8k Vista Vision sensors with a 46.31mm image circle

They allow 35mm, Super 35mm, and Vista Vision format recording; giving their trademark "Cooke Look®". The rental/hire of the Cooke S7/i Plus cine lens set is available in Camaleon Rental.

Cooke S7/i T2 cine offer optimal performance, flash control, distortion, glare and spherical aberrations at full aperture. The focusing mechanism allows smooth focus adjustments. Its modular construction increases ease of maintenance and service.

Cooke S7/i cine lenses are equipped with /i technology to capture digital information frame by frame.

The Cooke lens house has released the following large format cine primes: 16,18, 21, 25, 27, 32, 40, 50, 65, 75, 100 and 135 mm.

Leica THALIA large format cine lenses offer a constant cinematic look and sensation across its entire 9 lens range: from 24mm to 180mm.

The large format Leica Thalia cine have a large image circle to cover any kind of sensor, even ARRI's ALEXA 65. They can also create impressive images on a VistaVision, a Super 35 or a celluloid film sensor. Its image circle has a 60mm size.

These cine lenses are incredibly light and compact, and have a front diameter of 95mm.  Available in PL, LPL and XPL mount, with Cooke/i technology metadata connectors.

The unique circular iris design creates a soft and distinct bokeh. Although Leica Thalia lenses are not vintage lenses, they offer many of the features that have taken cinematographers to combine older lenses with digital sensors.

We offer a wide range of S35 leading brand cine lenses: Arri, Zeiss, Leica, Cooke, Canon, Fujinon and Angenieux.

Leica Summilux C lenses have a T1.4, and an average weight of only 1.7kg per lens. This the smallest fast-aperture lens set you can find. The Summilux C lenses are specially designed for cinematography.Leica SUMMILUX-C feature a patented focusing mechanism that avoids the older logarithmic approach, expanding the focus scale in the most critical range.The Leica Summilux C spherical lenses have been used in fiction series such as Stranger Things.

Digital camera sensors are becoming physically larger every day, and each Summicron cine lens offers an image circle of more than a 35mm diameter, large enough to easily cover RED Helium 8K S35 and GEMINI 5K S35 sensor modes with no performance loss or "vignetting".

The latest advances in the design of film lenses, allow the SUMMICRON-C cine to be smaller and more compact than other lenses with similar performance. They are only 4”(101 mm) long and weigh between 2.9 and 3.4 pounds (1.3-1.6 kg)

Cooke S5i cine lenses feature a T1.4 speed and a focus ring that illuminates when needed; this way the focus puller can see without any lights pointing to the camera. This new design incorporates a simple on/off and a dimmer to adjust the desired lighting level.

Cooke 5/i cine lenses offer excellent optical and mechanical performance, flash control, distortion, glare and spherical aberrations with full aperture. The cam-type focusing mechanism allows smooth focus adjustments. Its modular construction increases ease of maintenance and taxiing.

Cooke 5/i cine lenses are compatible with Cooke S4/i, miniS4/i, CXX 15-40 mm T2 S4/i Zoom, 18-100mm T3.0 and 25-250mm T3.7 and SK4 16mm lenses.

Cooke S4 spherical cine lenses offer excellent optical and mechanical performance, flash control, distortion, veil glare and spherical aberrations at maximum aperture. The cam-type focusing mechanism allows smooth focus adjustments.

All of our S4 Prime cine lenses (and CXX zoom optics) are now equipped with/i technology (since February 2005). The S4/i lenses are designed for all professional PL-mounted film and electronic cameras. The /i technology provides photography directors and camera operators with vital information about the lens configuration, focus distance, aperture and depth of field, focal distance, serial number, owner data, the type of lens and the focal length in both metric and footage measurements. In zoom lenses, the zoom position is displayed.

The growing demand for vintage Cooke Speed ​​Panchro cine lenses from the 1920s to 1960s, has led Cooke to redesign the Speed ​​Panchro lens set.

Cooke Panchro/i Classic, T2.2 to T3.2 cine lenses have the original Speed ​​Panchro legendary look, recreating the same vintage texture but using modern lenses. The new optics are equipped with /i technology to capture digital information frame by frame, as well as all modern Cooke cinema lenses for film and digital capture.

The original Cooke ​​Panchro cine lenses were designed in the 1920s. Now, these cinema lenses have improved its image chromatically, even when filming with less lighting.

The Cooke Speed ​​Panchros combine a relatively wide aperture (T2.0) with a previously impossible field of vision and angular definition with much smaller apertures. They quickly gained a worldwide reputation for their film production quality, and were used throughout the 20th century.

Available primes: 18, 21, 25, 27, 32, 40, 50, 65 MACRO, 75, 100, 135 and 152mm. PANCHRO/i Classic

Zeiss Standard Prime cine have a lightweight and compact design. The Zeiss Standard Prime T2.1 cine set offers good lens performance, and with its low contrast, a perfect balance with high resolution sensors is obtained. The basic set has the following primes: 16-24-32-50-85mm. Extras: 14-20-28-40-60macro-100-135mm.

The Zeiss Standard MKII cine series includes 12 lenses that cover focal lengths between 14mm and 180mm.

They arrived to the market in 1983, like their older sisters, the Zeiss Super Speed ​​T1.3 cine. Back then, this Zeiss House series was specially designed for Arri (Arriflex at that time) 35mm cameras.

Zeiss B Speed ​​T1.4 revolutionized the cine lens market in the mid-1970s because of its high brightness and performance. One of its characteristics is the triangular iris, noticeable in more closed iris values (like T2.8). They are very light and compact. The focal range of this vintage lens set goes from 18mm to 85mm.

The Zeiss B Speed ​​T1.4 MKI cine lens series consists of five focal primes that range from 18mm to 85mm. The whole set has a front 80mm diameter and a T1.4 aperture. The weight of each lens varies between 0.8kg and 1.3kg.

The Zeiss Super Speed ​​MKII T1.3 Cine optics are Zeiss Master Prime T1.3 predecessors. They stand out for their high brightness, sharpness and compact design. Their best performance is with iris values that pass T2.8. The more you open the iris ring, the less sharpness and contrast.

The Zeiss Super Speed ​​T1.3 MKIII Cine Lens set is the third generation of the famous bright Zeiss lenses. They still have their predecessor's Zeiss Super Speed ​​MKII features. Their focus scales are slightly larger and have more focus marks than its previous version, these values are written on both sides of each lens. We also have this set's 65mm lens available.

The Zeiss CP.3 XD Cine lens set has an aperture of T2.1 (in the 25mm, 28mm, 35mm, 50mm, 85mm, 100mm and 135mm), and a T2.9 in its 15mm, 18mm and 21mm. Its /i technology allows the transfer of information into the camera and maximizing or minimizing spherical deformations and contrast.

We have a wide range of rental Fujinon cine zooms: The complete ZK series, Fujinon 14-35mm, Fujinon 19-90mm, Fujinon 85-300mm and Fujinon 25-300mm. We also offer the Zoom HK lens set: Fujinon HK Premiere Zoom 18-85mm T2, Fujinon HK Premiere Zoom 75-400mm T2.8, Fujinon HK Premiere Zoom 24-180mm T2.6 and Fujinon HK Premiere Zoom 14.5-45mm T2.

The Fujinon ZK 14-35mm cine lens is a wide-angle zoom lens with a focal length that goes from 14mm to 35mm. Thanks to the ZK series detachable servo unit, this lens can be used the same way traditional ENG style lenses did. Without the servo unit, the Fujinon lens is compatible with traditional film engines.

It has achieved high performance and a compact lightweight body of 2.9 kg because of the latest lens simulation technology, high-diameter and high-precision elements. Thanks to its high resolution from center to corner, you'll achieve high image quality.

The Fujinon ZK 19-90mm cine Zoom is a cinema lens with a focal length of 19mm up to 90 mm. Thanks to its detachable servo unit, the ZK lens can be used as an ENG lens or as a lens without servo, with traditional film motors.

The optical Zoom fujinon ZK 85-300mm is a cine zoom lens with a focal length of 85mm up to 300mm. Thanks to the servo unit and its latest-generation focus and zoom remote controls, it allows easy operation.

The Zoom fujinon ZK 25-300mm is the cine zoom with the widest focal length of the series: from 25mm to 300mm; its servo unit is larger than the rest. The Fujinon ZK 25-300 Zoom Lens also allows focus, iris and zoom motorization.

The fujinon HK3.1x14.5 (14.5-45mm) T2.0 cine zoom works as a high-end lens in terms of color distortion or aberration. It provides perfect results in every focal range. The MTF and resolution are stellar from the center to the corners, without shading. This one is the most expensive, but the most compact of the four zooms.

The fujinon HK4.7x18 T2.0 cine zoom lens goes from 18 to 85mm. It's a multipurpose zoom that covers the most used focal length for more dramatic studio and outdoor scenes. Fujinon HK Premier cine Zoom is designed for the highest film performance cameras. They exhibit minimal breathing when they change focus.

HK7.5x24 24-180mm T2.6 cine is the high quality general purpose member of the family of four: this 4K PL zoom family identifies itself by its gold ring, and they all have excellent focus, iris, zoom, color, contrast and performance.

The Arri Zeiss Master Prime T1.3 and Ultra Prime T1.9 primes have sharpness and definition. We offer 1980s and 90s lens sets: Zeiss Standard Prime T2.1 cine, Zeiss Super Speed T1.3 MKII cine, MKIII cine and T1.4 MKI cine.

Prime and zoom Cooke cine lens sets: from vintage cine like Cooke Panchro S2/S3 T2.3 or Cooke Varotal 25-250mm T4, to present Cooke S4 cine, Cooke S4i cine and Cooke S5 cine.

Spherical Leika cine with complete sets of Summilux T1.4 and Summicron T2.

Among our wide range of cine lens sets, we also have Fujinon and Angenieux cine zoom lens sets. Fujinon Cine Cabrio complete sets: 14-35mm T2.9 cine, 19-90mm T2.9 cine, 85-300mm T3.5 cine and 25-300mm T2.9 cine. French Anginieux Optimo 24-290mm, Angenieux Optimo Style 16-40mm T2.6, 30-70mm T2.6 and 25-250mm.

We have anamorphic primes and 2x lenses: from the perfection of Cooke lenses, Hawk V-lite lenses or Arri Zeiss lens sets to vintage anamorphic lenses with flares and more "blurry" lenses like Kowa Prominar, Hawk C-Series or Ultrascope lenses.

We also have "special" lenses: Macros, Long-focus lenses, Variable Primes and wide angle lenses.

Arri Signature Primes LPL T1.8 (New) rental/hire

Arri Master Anamorphic T1.9 rental/hire

Arri Zeiss Master Prime T1.3 rental/hire

Arri Supreme Prime T1.5 (New) rental/hire

Arri Ultra Prime T1.9 rental/hire

Arri Alura 15.5-45mm T2.8 Zoom Rental/hire

Arri Alura 30-80mm T2.8 Zoom Rental/hire

Arri Alura 18-80mm T2.6 Zoom Rental/hire

Arri Alura 45-250mm T2.6 Zoom Rental/hire

Arri Macros rental

COOKE CINE LENSES

Cooke Anamorphic /i T2.3 rental/hire

Cooke S5/i T1.4 rental/hire

Cooke S7/i FF T2 rental/hire

Cooke S4/i T2 rental/hire

Cooke S4 T2 rental/hire

Cooke Panchro T2.3 (New) rental/hire

Cooke S2/ S3 T2.3 * Rehoused by TLS

Cooke S4 Mini T2.8 rental/hire

Cooke Varotal 25-250 Zoom Rental/hire

Cooke Varotal 20-100 Zoom Rental/hire

ZEISS CINE LENSES

Zeiss Super Speed T1.3 MKIII plus 65mm T1.3 rental/hire

Zeiss Super Speed T1.3 MK II rental/hire

Zeiss Compact CP3 T2.1 rental/hire

Zeiss Standard Prime T2.1 rental/hire

Zeiss Super Speed Vintage T1.4  rental/hire

Zeiss Compact Prime CP.2 T2.1 rental/hire

Zeiss Compact Zoom 15-30mm T2.9 rental/hire

Zeiss Compact Zoom 28-80mm T2.9 rental/hire

Zeiss Compact Zoom 70-200mm T2.9 rental/hire

Zeiss Variable Prime T2.2 rental/hire

Zeiss Super Speed S16 rental/hire

LEICA CINE LENSES

Leica Summilux T1.4 rental/hire

Leica Summicron-C T2.0 rental/hire

Leica Thalia rental/hire

FUJINON CINE LENSES

Fujinon HK 14.5-45mm T2 Zoom Rental/hire

Fujinon HK 18-85mm T2 Zoom Rental/hire

Fuijinon HK 24-180mm T2.6 Zoom Rental/hire

Fujinon HK 75-400mm T2.8-3.5 Zoom Rental/hire

Fujinon Cine Cabrio ZK 14-35mm T2.9 Zoom Rental/hire

Fujinon Cine Cabrio ZK 19-90mm T2.9 Zoom Rental/hire

Fujinon Cine Cabrio ZK 85-300mm T2.9 Zoom Rental/hire

Fujinon Cine Cabrio ZK 25-300mm T3.5 Zoom Rental/hire

Fujinon MK's Zoom Rental/hire

ANGENIEUX CINE LENSES

Angenieux Optimo 15-40mm T2.6 Zoom Rental/hire

Angenieux Optimo 45-120mm T2.8 Zoom Rental/hire

Angenieux Optimo 17-80mm T2.2 Zoom Rental/hire

Angenieux Optimo 24-290mm T2.8 Zoom Rental/hire

Angenieux Optimo 25-250mm T3.5 Zoom Rental/hire

Angenieux Optimo Style 16-40mm T2.8 Zoom Rental/hire

Angenieux Optimo Style 30-76mm T2.8 Zoom Rental

Angenieux Anamorphic Zoom 30-72 A2S Zoom Rental

Angenieux Anamorphic Zoom 56-152mm A2S Zoom Rental

Angenieux Anamorphic 44-440MM A2S Zoom Rental

Angenieux 25-250mm HR 25-250mm T3.7 Zoom Rental

Angenieux Expander 2x Zoom Rental

CANON CINE LENSES

Canon K35 * TLS Rehousing rental

Canon K35 rental

Canon CN-E T1.3 - T2.2 Set rental

Canon CN Servo Zoom 17-120mm T2.95 rental

Canon CN Servo Zoom 20x50 50-1000mm T5-8.9 PL rental

Canon 14.5-60mm T2.6 zoom rental

Canon 30-300mm T2.95-3.7 zoom rental

Canon 900mm rental

Canon 300mm PL f2.8 rental

Canon 200mm PL f2.8 rental

Canon Serie L rental

KOWA CINE LENSES

Kowa Prominar Anamorphic 2x 77' T2.4-3.4 * Rehoused by MirrorScope rental

Kowa Evolution 2x PSTechnik T2.4-3.4 rental

VANTAGE - CINE LENSES

Hawk V-Lite T2.2-T3.5 rental

Hawk C Series T2.2-T3 rental

Hawk-C Anamorphic T2.2 rental

Hawk V Plus 45-90mm T2.8 rental

Hawk V Plus 45-180mm T2.8 rental

Hawk V Series 46-230mm T4 rental

Hawk V Series 300-900mm T4 rental

SCORPIO CINE LENSES 

Scorpiolens Anamorphic T2 rental

ULTRASCOPE CINE LENSES

UltraScope Anamorphic T2.2 rental

UNIQOPTICS CINE LENSES

UniQoptics T1.9 rental

OTHER CINE LENSES

Super Baltar ( Bauch & Lomb) T2.3 * Rehoused by PS Technik

Elite Anamorphic T2.1

Zooms Arri & Angenieux S16

Hasselblad Macros

Fisheyes.